Spirtual art & craft
My spirtual approtch as an artist in my work.
I have been expressing myself in painting and being an image-maker pretty much all my life, a skill and expression that I am very grateful and proud to have to
to give my unique character that expression in painting. The spiritual has largely been of similar importance to my development which has also been important.
I started painting in oil seriously quite late in life and it was mainly the spiritual feelings and thoughts that were expressed in these works.
I have always wanted to show and illustrate my thoughts and feelings of those I had created and created during the inner visions and sensations that etched themselves under my retina
of those I took in from the experiences I made in the spiritual world.
Since nature has always played into my painting as a watercolorist and what I found in what I read about Wicca. A whole new images and inner scenery came in to
reflect the magical nature and the interaction that people in this relationship with the forces of nature make itself felt in the painting. I lived in this for a long time, which came to be expressed in some of my paintings.
and a desire to make a place for myself as a recognized artist in this branch of painting.
The paintings helped me to at least give me the strength that they radiated for me even though I continued to paint and make a living from my pure nature motifs as a watercolorist.
which is also the creation of the inner eye.
a expresison of my spirtual way in my paintings
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My artistic appotch toward my skills in woodwork
Over time, the circle of motifs became wider and basically painted what I felt like as an expression of spiritual impulses and thoughts.
As well as orders I received. During my training as a cabinetmaker, as a trained craftsman in wood and also from there I got strong impulses on how to work in wood as a cost, but partly the first two years of training were very focused on art.
the first two years of the programme were very much focused on artistic expression, which also in this material I could create furniture with design and give them my own expression.
which did not limit me to just learning different carpentry techniques. But being spiritual in its way is just a small shift in consciousness I think. We are all spiritual in our expressions,
But we must learn to understand these impulses and use them in ways that are constructive to the soul in order to make the connection to our subconscious and the universe.
our subconscious and the universe's enormous sphere of potential to express ourselves in this very individual
very individual toolbox as souls and human figures that we have access to. But for it to be a spiritual
embodiment, we have to let the soul
be with what we do in what we do when we create.
Indian Gods & Godesses and avatars
My interest in different spiritual cultures has been there for a very long time and a fascination for the rich Indian culture which is probably the oldest living culture in the world with all the expressions of food, dance, song, archaeology, and art. living culture with all its expressions in food, dance, song, archetecture, art and much more. This is my contribution to this as an artist and spiritual person to have created so far 18 images of Indian Gods Goddesses and avatars.
The rich colourfulness and the drama that unfolds in the spiritual iconography in Indian spriutual painteing in that contains all the different contexts frame my sense of spirituality in general that everything is spiritual in essens. I just the the intentionn that distinguishes what is spiritual and what is not that is to say your approach because everything is built on spiritual principles only our way of seeing feeling and shaping that which
has a link to a higher level of consciousness or is it separated from a higher vibration or plane then the phenomenon may not be so spiritually connected because it does not have the quality that fulfils a higher purpose.
fulfil a higher purpose. It shows allso what it is linked to a higher plane of existence araw physical structures or thought form.
This is also an in-depth study of various archetypal dramas and conditions in Hinduism.
and epochs and layers of culture. The Indian goddesses Tara and Danu are Goddesses so old in form that they are hardly worshipped anymore. Tara has a temple in the state of Orissa but is several thousand years old.
She Danu which has no shrine in Indi, as far as I know, both are said to have travelled with the great wave of people there The language we are later based on in the West Europe has the people who came from present-day India.
who brought both Tara and Danu as patronesses t give names to rivers such as Tara in Slovakia and Dounau in the Czech Republic